Friday, 23 May 2025

 So, it rolls round again and yet this year’s Eurovision was one of the safest, and most forgettable shows in years. The lunacy was stripped backed and no one seemed to want to take a risk. It might be all the fun was voted out in the semi-finals, but I didn’t watch them.

At least the UK entry this year wasn’t a complete stinker but there was still something odd about it. The singing was excellent, but the tune just seemed the wrong way round – It sped up in the verses and slowed down for the chorus which is where you need the big hook. Actually deserved a lot better in the scores.

As for the rest     

Sweden – Infuriatingly catchy (my daughter is still singing it) and the brown suits had a Public Service Broadcasting feel.

Finland – As subtle as a brick to the face. A buxom blonde in studded leather bodysuit and stockings straddling various microphone stands and singing about having an orgasm was the most Eurovision song of the night.

Lithuania – Bonus points to the band who really looked as if he would rather be anywhere rather than on that stage. Even in the green room, they were the most uninterested contestants ever.

Albania – Clearly someone watched too many YouTube videos of Toyah and Robert Fripp in their kitchen.

Latvia – Six women dressed as axolotl’s sang the best harmonies I think I’ve heard at Eurovision unfortunately the song dragged a bit.

Israel – A forgettable ballad which just highlighted the public vote manipulation to the maximum.

Italy – Had the feel of Bowie/ Ronson doing Starman on TOTP with the singer’s greasepaint makeup and the way he draped an arm around the guitarist. Bonus points for the live harmonica solo.    

Highlight of the whole night was the face-off between previous contestants Baby Lasagna (Rim Tim Tagi Dim) and Kaarja (Cha Cha Cha) in the interval showing that it is possible to go hugely OTT and still have an absolute earworm of a hit.   


Friday, 16 May 2025

 There is a new live New Model Army out called Live SO36. It’s a companion album to last year’s Sinfonia and was recorded around the same time. The two albums contrast perfectly with Sinfonia being recorded in an opulent music theatre with a full orchestra, while Live SO36 was a stripped back, raw recording in a small sweaty club.

There’s little need to review the album… It’s the New Model Army bristling with righteous indignation and unashamed passion communing with their family of fans.

What I did decide to do is pick my favourite tracks from their various live albums that I own:

Raw Melody Men Get Me Out

  • Honestly, I could choose any song from this album but right from Justin’s intro “So you wanna dance, yeah? Dance to this…” it’s impossible not to get swept along

And Nobody ElseNo Sense

  • Nelson puts down his bass and starts on a second drum kit to make this a special rendition. 
Fuck Texas, Sing For UsVagabonds

  • Marshall Gill replaces that oh so familiar violin intro with a fantastic new guitar version

Sinfonia Winter

  • A song that turned out to be a perfect fit for the orchestral setting so. It soars magnificently 

Live SO36Lust For Power

  • You can almost smell the sweat from the crowd reaction. A perfect encapsulation of that special bond between this band and their devoted following.